I don’t think on chain ticketing wins because it’s “crypto.” It wins because it fixes the ugliest parts of the current system fake tickets, unclear resale rules, and payouts that take forever to reach the people who actually created the event.
Vanar fits this use case if it can make tickets behave like programmable assets, not PDFs with vibes. A ticket can carry rules that travel with it: capped resale, royalty splits to the artist and venue, and automatic invalidation of duplicates. The buyer gets instant proof of ownership, the organizer gets cleaner accounting, and fans don’t need to trust a chain of middlemen to know what’s real.
That’s the real celebrity angle not hype, but accountability. If the experience is real, the access should be real too and verifiable the moment it changes hands.